Et in Arcadia Ego Solved by way of St. Andrew and the Kensington Rune.
The winter of 43 B.C.
Patras Greece
Tough winter it was relatively warm as we entered the
protected harbor of Patras in ships that Octavian had procured for us. He was
to become emperor in part due to his role in avenging Julius Caesar’s
assassins. We are the Legio X Gemina carrying the standards from many battles
always loyal to the emperor. We were all being granted farms near Patras. A
beautiful reward for the efforts of the X Legio (Tenth Legion).
October 28, 312 A.D. 20
kilometers north of the Circus of Rome.
It was the day prior to the most important battle in your
life if not the entire scope of history. Tomorrow you would meet Maxentius in a
battle that would decide the fate of the entire western world. As you rode
along the dust rose from the road as your standard bearer beside you kept the
flag aloft for the legions to follow. The sky was an azure blue broken only occasionally
by white puffy clouds that resemble a lamb’s fleece. Suddenly the monotonous sounds of the march
were broken by excited exclamations.
Men pointed to the sky in fear and awe as what appeared to
be a gigantic X appeared in the sky. It appeared as the letter Chi or X in your
native Greek alphabet and was formed by two long thin clouds that formed the
symbol perfectly with the sun shining through behind them. This had been the
same symbol that your mother valued in association with her Christian faith.
Mother was always after me to believe in the fisher of men and that the way of
Christ was the one way to salvation of the soul. Though she seemed happy with
this notion I found a value of Mithras and more ancient mystical beliefs suited
my ambitions to rule. Still many of my Legions were adapting the faith of my
mother. The appearance of the sign she valued was an omen that should be taken
advantage of to inspire these men to defeat Maxentius for the glory and benefit
of all Romans. Maxentius also had many Christian soldiers and it would do good
to let them see that God was on our side. I would order the men to paint this
design on their shields prior to the battle.
A Spring day in Scotland in the year 832 A.D.
A strange
dream had awoken you in the night. This figment was so real that I wasn’t sure
if I had still been asleep when a strange cloaked figure had entered my tent
and kneeled at my bedside. I was not afraid as the figure began to pray over me
in a strange language that I could not at first understand but heard after a
short time. This was a vision of St. Andrew who had come to insure the
righteousness of our victory against the oppression of the Saxon’s to the
south. By my name Angus we rid this land of the invaders and persevere in our
way. I awoke in the morning not sure if this had been a figment of my mind or a
reality.
The other race
from the south led by King Aethelstan had been harassing us for months burning
our towns and cities. These Saxon’s were determined to rule the entire sunny
Isle upon which we existed. With our proud race we had descended from the noble
Kings of ancient Egypt and Scythia. We would fight to the last. As we marched
towards what would be our destiny my standard bearer stayed close. The men were
restless and anxious to settle this dispute and go on with their lives. Suddenly
the men were yelling and pointing at the sky as if the sun itself were falling
from the sky.
A great sign
in heaven had appeared in the azure blue sky. A giant X shaped formation of
clouds appeared to be blazing with a helios of a corona making flames and
fingers of light that added even more to the stunning effect. The men fell to
their knees in reverence. Some one yelled:
“It’s the
Cross of St. Andrew! The Apostle has come to grant us victory in Battle and the
righteousness of Christ in our fight!”
With this a
cheer went up from the ranks and we all felt as if our endeavor had been smiled
upon by our Lord and St. Andrew himself. It had been St. Andrew in my dream! The
dream was real! He had sent me a sign of victory. Surely this was a good omen
to be valued. Inspired by this strange event the troops were invincible that
day and sent back the invaders to lick their wounds and regret ever coming to
the northlands. The sign seen in the sky, that of St. Andrew would now be our
standard and symbolize our independence. Like Constantine I had seen the sign
that would bring us victory in our cause.
The above
fictional events may reflect some real history.
Though the
actual date of his crucifiction is unknown St. Andrew was crucified on an X
shaped cross in Patrias, Achaea, Greece in about 50 AD. The use of an X shaped
cross was likely associated with the X Roman Legion or Legio X Gemina that had
been garrisoned in Patras since after the Battle of Actium. This legion had
helped Octavian eventually win the crown and become Augustus Caesar. The tenth
had always been a favorite of the Emperors due to their reputation for loyalty.
They had been established as an elite mounted force of soldiers by Julius
Caesar and they were considered to be this era’s version of Caesar’s personal
bodyguard. Many of the concepts seen in the organization and deployment of the
Tenth Legion would contribute to the development of equestrian Knighthoods
later in European history.
The symbol of
the X or Roman numeral 10 is associated with the Legion. Since by the time of
Andrew the Legion and all of its families had lived in Patras for nearly one
hundred years this symbol became part of the cultural identification of Patras
itself. This is likely why at the time of St. Andrew’s persecution that he was
crucified on an X shaped cross. This is likely in reality a reference to the
Legio X of Rome. So this may be the true origin of the St. Andrew’s Cross in
iconography.
It is
interesting that a symbol that was born in warfare can come to represent an
apostle so obviously committed to peace and understanding between people. It is
in this way that the “X” in symbology and iconography became a “good” symbol in
the minds of many with its association to such a clearly defined ecclesiastical
figure.
Eventually the
Cross of St. Andrew would be combined with the sky blue background to form the
Scottish Flag. The origins and value of the Scottish flag are the same in myth
and origins as the Labarum symbol of Constantine. Both symbols feature the X
symbol of St. Andrew. It is also entirely possible that the Skull and
Crossedbones is also referring to St. Andrews Cross. The family arms of Sir
Issac Newton for instance are comprised of Crossed Bones without the Skull
included. This design appears as a St. Andrew’s Cross comprised of bones. So
this crossed pattern while having many interpretations may also be associated
with St. Andrew.
These two
amazing stories of the Milvian Bridge and Angus the Pict are very similar.
Constantine after seeing what is known as the Labarum symbol in the sky led his
troops to victory against Maxentius and went on to establish one of the most
important and successful reigns in Roman or Byzantine history. It is the reign
of Constantine that saw Christianity take hold and become a major force in the
history and development of western culture. Later Angus would see the Saltire X
in the sky in a story very similar to the way Constantine had sighted his
symbol of victory. Both men were valuing the Cross of St. Andrew though this is
not discussed in association with Constantine and his value of this symbol. The
origins of the Scottish Flag and the Labarum symbol seem to have a common origin
in the legacy of St. Andrew. It may also be inferred that the similarities
behind the use of these symbols and the stories of their origins was not a
coincidence. It is likely that Constantine was aware of the legacy of Legio X
in Patras and knew the reality of what this symbol represented. This may also
be why more modern equestrian brotherhoods identify with Constantine and the
Labarum symbol. It is a tradition of the Roman Legions as much as a sign of
Christianity.
Though it is
disputed where Constantine’s mother Helena was from it is clear that
Constantine grew up in what is today Serbia once part of the more ancient
region of Macedonia or Greece. Other sources state Constantine’s home in
Northwestern Turkey near Byzantium so either way he was clearly from the Greek
cultural sphere and grew to maturity in the same region in which Andrew had
come to. This is indeed the region that was evangelized by Saint Andrew after
the time of Christ’s resurrection. As Constantine grew up he was likely exposed
to Christian concepts such as the Cross of St. Andrew that forms the letter X. At
the same time given his Imperial background he would have been aware of the
significance of the Roman numeral X and its relation to the Legions of Rome and
that division’s glorious history.
The brand of
the faith that Constantine was exposed to was influenced more by Andrew than
any other figure besides possibly Christ himself. Andrew by many accounts was
crucified on an X shaped cross and not a T shaped cross like Christ was
crucified on. This is the reason the Cross of St. Andrew is an X shape. It
seems obvious given the culture and region that Constantine grew up in that the
shape he would adapt as a sign of Christianity would include the X shape in
vernation of St. Andrew. Constantine would add elements to the basic Labarum
sign that referred to the Alpha and Omega of Jesus.
If we follow a
value of the symbols and shapes valued by Constantine as later adapted by Angus
and other Scotsmen we may see it apply in a secret way to many of the mysteries
that are examined here. A true understanding of this symbol applies to many
different historical questions such as the strange runes present on the
Kensington Rune Stone, and the presence of associated symbols seen at other
places like Rosslyn Chapel, The Great Cross of Hendaye, The International Peace
Garden, St. Sulpice, Palacio Monctezuma, Rennes le Chateau and several other
places. The association of this symbol with Legio X Gamina and Equestrus gave
the X a special meaning to later Knighthoods and Orders that valued this aspect
of the symbols interpretation.
Eventually
Andrew’s remains would be interred at the Church in Patras, Arcadia, Greece.
After the Fourth Crusade the Duchy of Athens and Neopatria were formed in
Greece along with the Principality of Arcadia that would be ruled by the
Princes of Achaea (Arcadia) including the Anjou Prince’s of Achaea Charles I,
II, and III. The Anjou’s would be representative of what would become a hidden
value of St. Andrew in addition to their fascination with Mary Magdalene. The
nearby Crusader State of the Duchy of Neopatria also included the Oracle at
Delphi within it boundaries. The nobles of Aragon who had intermarried with the
lines of Frederick II HRE and the Anjou’s held control of the Ducy of Athens
and Neopatria from about 1210 to 1270.
In this
fashion we may be seeing the Normans occupying a culture region of Greece that
had had an impact on their culture via the myth of Apollo travelling to Boreas
to teach the population the ways of the Greeks. Boreas is even one of the Gods
featured on the Tower of the Winds that had likely also inspired Constantine in
the building of his octagons. An examination of the history of the Hauteville
legacy coupled with that of Frederick II and the Anjou’s displays a desire of
these dynasties to take over what was left of the Byzantine Empire during the
fourth crusade. This era also saw the development of groups like the Knights of
St. John and Knights Templar developing and appreciation for the Labarum symbol
and its military meanings coupled with the association with Constantine and his
version of Christianity.
It is as if
they were aware of their legacy as exposed here and had waited hundreds of
years to take back what they felt was their cultural origins. This may have
been one of the lesser known aims of some of those that took part in the
Crusades. This interest on the part of these families may also expose a belief
that they were related to Constantine and their value of St. Andrew was a
result of this belief. Even the Greek City name of Argos is a form of the name
“Aragon.” This may be one of the values of what Fulcanelli terms “argotique” or
gothic art. This interpretation may expose the final meaning as being “Aragon
art.” Does this infer that the Aragonese believed they were somehow descendant
of people from Greece? Many things that they and the Hauteville dynasty did reflect
some truth to this idea. The name of famous astronomer and cartographer
François Arago’s is also derivation of the Argaon dynasty. He is also from
territory once encompassed in their domain.
It is likely
that the entire theme of the mysteries that we see in the term “Et in
Arcadia Ego” or “in Arcadia I am” is
referring to the legacy and remains of St. Andrew as displayed in his life and
in the similar stories of the value of the Cross of St. Andrew on the part of Constantine
and Angus.
This may even comprise the information concealed in the “secret”
discussed of in letters associated with Nicholas Fouquet and Marie of Guise (to
different individuals). Fouquet describes a secret held by Nicholas Poussin
that would have a great impact on the power of the church. This is odd since
Poussin was associated with Jesuit magi Athanasius Kircher who was a master
geometrician and scholar. It appears as if Poussin may have included in his
“secret” in part the information being exposed here for the first time. The
inscription of “Et in Arcadia Ego” seen in two of his works is the main clue
linking to St. Andrew who preached and is interred in the region of Arcadia
(Achaea) in Greece. St Andrew is the one in the tomb being examined by the
Shepherd’s of Arcadia.
St. Andrew was
crucified on an X shaped cross in Patris Greece. His remains subsequently were
kept as relics in the Church there. Through history his relics have been spread
to a few different churches and Cathedrals with the Catholic Church actually
returning a large portion of the skull and and other parts to the Greek
Orthodox Church in 1980. The Greek Church has built a magnificent Basilica
reminiscent of Hagia Sophia though somewhat smaller to house the remains. St.
Andrew the Patron Saint of Scotland is also the Patron Saint of Russia who has
readapted the Order of St. Andrew at the fall of the Soviet Union.
All of this
new information combined may also give further rationale to the theory that
Constantine had built an octagon on the Temple Mount and had been interred
beneath it at the time of his death. This had been the information that the
Templars had found beneath the Temple Mount. Constantine had left them a
mystery and it involved the concept of St. Andrew and the symbol that
represented him.
Nicholas
Poussin was the artist who created the painting “The Shepherd’s of Arcadia”
that introduced the mystery of “Et in Arcadia Ego” mostly to fans of the Rennes
le Chateau mystery as presented in the book “The Holy Blood and the Holy
Grail.” Many people are forced to ask themselves the question:
“So. What is
in Arcadia that we are supposed to see here and apply to this mystery?”
The answer to
that question would include a resounding:
“You are
supposed to find the story of St. Andrew and his cross and how Constantine used
it. Following this cross symbol and others will lead you to the truth.”
It is possible
that the entire mystery of Rennes le Chateau or more specifically the Devil’s
Seat and Rennes le Bain may be associated with a mystery referencing St. Andrew
and not Mary Magdalene. This could point to the unpleasant assumption that a
mythology of Mary Magdalene has been applied to a place that has more to do w/
the legacy of St. Andrew than her. The mysteries of Rennes le Chateau and
Rennes le Bains may have different themes yet are linked together by those
assuming that these places are part of the same question. It is possible they
are and that Mary Magdalene is involved but this is unclear at this point. This
may also apply to the presence of a rendering of Poussin’s “Shepherds of
Arcadia” being featured on the Shepherds Monument at Shugborough Hall. As
discussed the orientation of this statue itself points an arc on the globe to
the International Peace Garden on the border of the United States and Canada.
The use of the
term “Et in Arcadia ego” at Rennes le Chateau and Shugborough Hall as it
applies to Scottish history and St. Andrew is exposed in the spatial
relationship of the octagonal Kings Knot at Stirling and how it points to the Star
in the landscape of Rennes le Chateau with the orientation of the Star pointing
back to the Kings knot. The star and Kings Knot seemed to have been arranged
intentionally to reflect this talismanic spatial relationship. The line or arc
on the globe that connects these two places crosses the Tower of the Winds at
Shugborough Hall firmly establishing a geographic topology or scheme that
displays all the components need to solve the mystery. Both Rennes le Chateau
and Shugborogh contain the “Et in Arcadia Ego” reference that is truly
referring to Constantine and St. Andrew. Many who study the Rennes le Chateau
conundrum have no idea how closely Scottish people are involved in the tale
they value so much.
It is obvious
that all of this architecture was likely arranged by Scottish and other
European people that have a Norman legacy tied to the Hauteville family. This
would have included all of their family relations in the Kingdom of Aragon. This
does include the Cult of St. James as displayed in Scots nobility coupled with
their veiled veneration of Constantine in the form of the Saltire X and blue
background of the Scottish Flag. It is clear that the Anjou’s and Aragonese had
a distinct value of both of these concepts and took part in the arrangement of
talismanic architecture. In fact it is clear that any Scottish value of these
mysteries had come from their Norman brothers and sisters of Spain and Italy. All
of this adds up to inform one that the lone letter “X” near the top of the
Great Cyclic Cross of Hendaye is indeed the Cross of St. Andrew.
St. James’
encounter with Our Lady in Zaragosa and all the legends of Girona, Rennes le
Chateau, Perillos, and the Holy Grail at both Montserrat Monastery and San Juan
de la Pena all take place within the territorial dominion of the Aragon dynasty
connected with the Holy Roman Emperor Frederick II and the Anjou’s. The
Aragonese dynasty also includes direct connections to English and Scottish
royalty that would connect them all together in this possible belief that they
were descendant from Constantine who may in turn have been convinced he
descended from St. Andrew or Christ. It is clear given the region where
Constantine is from coupled with his mother’s Christian faith that the Cross of
St. Andrew inspired the design of the Labarum. Many of the “argo” references in
Fulcanelli’s book “Mystery of the Cathedrals” are actually referring to the
Kingdom of Aragon in a metaphorical way. It’s all about the “Argotique” or
“gothic art.”
The Kensington
Rune has been discussed in detail earlier in this book. The stone seems to have
been left to mark the boundaries of the Hudson’s Bay Company at some point
prior to or early in its history. It is clear that it may have been left at any
point from 1230 to 1700. The HBC was established in 1670 with Prince Rupert of
the Rhine as governor. It is clear that Prince Rupert was part of the
Hauteville axis of power that valued these symbols. The historical dynamics of
this region would dictate that the stone was placed by element of the Hudson’s
Bay Company with the older included date to indicate the era in which people
were first sent to explore the continent during the era of Rollo and the Norman
occupation of western France. This also corresponds with the era of the
establishment of L’ Anse Aux Meadows and the advent of the magnetic compass. Alternately
Rollo had actually deposited this stone near the headwaters of the Mississippi
River and it was later used as a boundary marker. It is also possible that a
party sent by Rollo had travelled to the west coast in the region of the mouth
of the Columbia River thus enabling them to situate a central axis a point
(Turtle Mountain) that was representative of the east to west axis of the
Continent at this latitude.
The Kensington
Stone even contains the premiere secret symbols of our specific families
beliefs or secrets as seen in many early versions of the Labarum symbol. The
Kensington Stone includes these runic characters given in a Masonic cipher from
Scandinavia that was popular right at the time of the establishment of the
Hudson’s Bay Company. The symbols or decipherment of them on the Kensington
Stone do include versions of the Labarum and Auspice of Maria symbol that are
valued here. As we may see this symbology has nothing to do with Mary Magdalene
beyond some confusing the Auspice of Mary symbol as referring to her because
they contain the same name.
Early versions
of the Labarum included the Greek letter “A” which appears with a ‘v’ shaped
crossbar on the left side of the “X” or St. Andrews Cross portion of the
design. To the right at the same yet opposite position the Omega Greek letter
is displayed as a kind of sideways numeral 3 that resembles a double treble
hook used by fishermen (of men). This version of the Labarum symbol and the secrets
of St. Andrew are what is being referred to on the Kensington Rune. Not Mary
Magdalene. It is more likely that followers of Mary Magdalene would use any
symbol associated with Mary Mother of Jesus as a coded way to refer to her. So
this symbol was not originally created and designed to represent Mary
Magdalene. The same may be said of the individual Auspice of Mary symbol that
resembles the letter A. This is a symbol of a consecrated location and also
serves as the logo for St. Sulpice. So this symbol also was not designed or
originally used with Mary Magdalene but may possibly be viewed in a secret
manner by her followers.
The letter
“rho” or P that is included in the Labarum is the Imperial sign that is
included in this symbol. This letter “P” is a representation of an Imperial
Standard or pennant and is also an Egyptian hieroglyphic symbol for “ruler.” In
some forms of Egyptian hieroglyphs the symbol of the X when combined with the P
shape could mean “City of Ruler.” In hieroglyphics these symbols are never
combined so this may be a coincidence.
The strange
letter X seen on the Kensington Stone is that portion of the Labarum that
includes the X itself and a representation of the Omega symbol in the small
portion of it that extends inward from the right arm of the X. This design was
made to resemble the hooked shape design of the Omega symbol in tandem with
part of the X that is already there.
Elsewhere on
the stone the individual letters AVM (Ave Maria) appear to display or suggest
the Auspice of Maria which is present on the Labarum symbol to the left in the
form of the letter “A” with the “v” shaped crossbar that resembles what would
come to be known as the Compass and Square of Freemasonry. In this way we may
see a deeper interpretation of that symbol as it associates with Our Lady, Constantine
and St. Andrew. These symbols on the Kensington stone combined give us the
image of the Labarum, Constantine, and St. Andrew all in one easy to read sign.
Ultimately these symbols seem to refer to Constantine in a secret way. Note
that two letters “X” combined next to each other also produce the AVM Auspice
of Mary Symbol. Ave Maria.
The “story”
told in the English language decipherment of the runes on the stone that tells
of men being killed and buried may be a vehicle simply to display these symbols
so that those in the know will realize who actually left the stone where it was
originally discovered. These symbols also relate to the family heritage of
those that established the Hudson’s Bay Company all the way back to the
Hauteville’s, Stewarts, Hohenstaufen’s and more.
The strange X
and AVM symbols on the Kensington Stone are telling you that the group of
people discussed here are the ones who left the stone. This includes the entire
legacy of this family line from the time of Christ to the establishment of the
Hudson’s Bay Company and beyond. In the process the Knights Templar have been
attributed with many of the historical events and activities that this family
group along with the Knights of Malta and Catholic Church have perpetrated. Along
the way they have blamed every distasteful and morally repugnant thing they
have done on the heads of the Knights Templar who no longer existed during the
time any of this happened. Indeed the historical Knights Templar no longer
exist and no one is here to defend them from competing orders who had existed
since the dissolution of the original Knights Templar in 1307.
Given recent
popular narratives we are being led to believe that the Knights Templar created
the Kensington Stone, Newport Tower, and more. The Templars are blamed for
being Pirates at a time when they did not even exist and were being hunted down
or hiding in other orders. Every strange incidence of history is attributed to
this group of people who ceased to exist in 1307 while the above-mentioned
groups continued with no impediments to anything they wished to do. The
Templars had once kept this gentrified group in check via the use of second
born nobles who had the interest of the Order in mind as opposed to their
family legacies. This is likely one of the reasons the Knights Templar were
disbanded and demonized in such a manner. This is why they are blamed for being
“Pirates” at a time the order did not even exist. In a move that would signal
what would later come of the Templars Frederick II HRE actually banned then
from existence in Sicily. It’s political. Hint: There is an island called Malta
that served as a Pirate base for the Hauteville dynasty for hundreds of years.
It also speaks
to the reasons their “pardon” was only recently brought to light. It also
suggests that the Knights Templar may have only played a limited role in the
development of Scotland after the time of Robert the Bruce. There is a great
deal of evidence that the Knights of St. John (Malta) may have been behind many
of the events and people that are attributed to as being “Templars.” This
confusion has been added to through history by the fact that many past
historians seemed to refer to any Knighthood associated with the crusades as
“Templars.” The similarity in the use of the Teutonic Cross and Cross Patee may
have contributed to this confusion in the minds of the public. That’s o.k. they
like you confused.
All of the
symbols present on the Kensington Rune indicate the involvement of the Catholic
Church and a Knighthood associated. Even the date present on the stone, if
valid, would indicate that the “Templars” had not been the ones to leave this
stone. Given all of this it is still not clear when the stone was deposited as
the same family line has a legacy of the value of this region starting at the
time of the Roman Emperors yet not likely fully taken advantage of until the
time of Colonial settlement and the creation of the Hudson’s Bay Company. It is
the earlier surveying trips of these people through time that have led to many
misunderstandings and misinterpretations. Some of these trips may have included
an intentional or unintentional interference in Native American culture in a
manipulative way. Later in history as Spain subsumed Mexico many intelligence
service ploys seemed to have been used against Native groups so it is not too
hard to image this going on at any point during the contact phase of European
interaction with Native Americans. These kinds of psychological techniques had
been deployed against their own enemies in Europe so why would they not employ
some of these “Heart of Darkness” cargo cult techniques on these other people?
There are some Native American sites like Newark Earthworks and Serpent Mound
that seem to have had some influence from another culture possibly that of
Central America. It is also possible that both of these sites were influenced
by early explorers associated with the family groups and organizations that may
have surveyed what they thought of as their property periodically in the past.
There is a
symbol at Rosslyn Chapel that conforms to what is being said here. Though it is
graffiti is resembles the X seen on the Kensington stone with the addition of
the Omega on the right crossbar of the letter. The difference in this rendition
of the same symbology includes the verticie of the X having a “V” added below
it to form the Auspice of Maria showing the letters “A” and “M” together with
the Cross of St. Andrew thus suggesting the Labarum which is a solidly Catholic
symbol not related to Mary Magdalene. Recent examinations of the Newport Tower
by Gary Gianotti include him discovering both the Auspice of Maria (Mary)
symbol in conjunction with the sideways numeral 3 design of the Omega symbol.
Some one had also added this message in graffiti to the Newport Tower at a date
sometime after its construction.
As seen in our
examination of the Great Cyclic Cross of Hendaye and Ronda Spain a form of the
Auspice of Maria symbol using two laterally combined letters “X” is present on
the lintel of the entryway to Palacio Monctezuma in Ronda. It is present on the
headstones of some of the past Priests of Rennes le Chateau. Many times this
symbol seems to occur in relation to Jesuit symbols such as at Rennes le
Chateau, Chateau Abbadia, The Hendaye Church of St Vincent, and the Church of
St. Martin in Sara France. Again all of these places once ruled by Hauteville
descendants via the Kingdom of Aragon as well as the Basque Culture. All of the
mysteries of this region seem to include the concepts of St. Andrew, Mary
Magdalene, and St. James.
It will be
shocking and hard to believe for many who are drawn to the genre of the Grail
Quest to believe this but much of this has been crafted for us in order to
teach one a lesson and educate you to the truth of history.
The Alpha and Omega are included as part of the design of the famous Visigothic Pillar of
Rennes le Chateau. This is upsidedown w/ the Alpha and Omega at the top. The desgin on this
pillar is similar to the Labarum and X symbol from the Kensington Stone. Its all about St. Andrew.
1 comment:
Great post, thanks, Cort!
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